Evamuss was a project of the Peruvian Chrs Galarreta (aka: Sajjra, DiosMeHaViolado, Tica, among others alias). This project was very active in the underground Lima scene between 1997-2003. Evamuss have 9 solo albums published on very limited editions, also appears in a lot of collaborations and compilations of that period. At the beginning Evamuss used home made amps, oscillators, pedal effects and toy keywords , last years it will include the misuse of computer and the pirate software. Error and non-functionality were welcome in its process. On November 2017, Evamuss resurrects with a pair of self-hacked synth toys, some effects, hand made sequencers furbished in collaboration with some hackers in Paruro (the legendary electronic black market’s in Lima City). In the current days its sounds mutated towards a warm and humid analog jungle. Its recent – 2018- assaults included tours between Portugal, Spain, Lithuania, Russia, The Netherlands and a publication of a release in Favela Discos (Porto).

https://soundcloud.com/evamuss/sets/evamuss
https://faveladiscos.bandcamp.com/album/ajqij

Janneke van der Putten is a Dutch performer and visual artist. Employing techniques learned during years of training, she uses her voice as an instrument in order to explore different environments physically, sonically and intuitively. Her work moves away from the usual modern parameters of amplification and synthesis, focusing instead on the space’s and body’s resonance in the here and now.
Janneke van der Putten (Amsterdam, 1985) her practice involves experiences of listening, performances, sound and video, documentations in image/text/textile, workshops, music projects, and creating platforms for cultural exchange. Her voice is her main tool, guiding her through physical and sonic explorations in different landscapes. Engaging with specific sites and local contexts, and through her personal experiences, she investigates (human) responses to her surroundings, and their relation to natural phenomena and transitions, such as the sunrise.
She graduated with a BDes from TXT (Textile), Gerrit Rietveld Academy (Amsterdam, 2003 – 2009) and completed her MMus in Artistic Research, Royal Academy of Art & Royal Conservatoire (The Hague, 2011 – 2013). Van der Putten trained in classical North-Indian Dhrupad singing with Amelia Cuni and Marianne Svašek (Berlin & Rotterdam, 2009 – 2014) and is autodidact in various extended vocal techniques. She is co-curator of the Aloardi Exchange Programme, inviting Peruvian artists to present their work in the Schengen Area (2016 – 2017). The project ‘Invisible Architecture’ with Christian Galarreta, for which they published a vinyl in 2014, has been presented at amongst others exhibition Make the Audition: Meetings Between Art and Sound in Peru, Museo de Arte Contemporáneo (Lima, 2016) and nxnwfestival (Cologne, 2015). She was artist-in-residence at the Centre international d’art et du paysage (Île de Vassivière, 2014), and exhibited with solo shows All Begins With A at TENT (Rotterdam, 2015), Directed to the Sun in Quartier am Hafen (Cologne, 2017) and Quitsa at CINNNAMON (Rotterdam, 2017). Upcoming will be a fellowship at Akademie Schloss Solitude (Stuttgart, 2019).

http://jannekevanderputten.nl/work/jnnk/

Janneke van der Putten’s transport to Graz has been supported by CBK Rotterdam (Centre for Visual Arts Rotterdam)

Bielgaard is a new duo playing in Austria for the first time at Interpenetration in Graz.
The international duo from Copenhagen uses the electric guitar and baritone saxophone to create a purely aesthetic experience, and to build an aesthetic situation through composition in which the most important thing is to stimulate the listener through the production of sound. The aim is to deprive these auditory stimuli of meanings other than those of the sound itself; to present sound material for observation that does not require understanding nor suggest emotions. Thereby the physical presence of sound becomes more important than the personality of the individual, of the musicians themselves.
Hein Westgaard is a guitarist, composer and improviser who is currently studying at the Rhythmic Music Conservatory in Copenhagen. He is works in the improvised scenes in both Copenhagen and Oslo, and has played at the Oslo Jazz Festival, Molde Jazz Festival, Kongsberg Jazzfestival and Trondheim Jazz Festival. He has performed with – among others – Bugge Wesseltoft and Kresten Osgood and has as a soloist performed a composition by Barry guy with the composer himself conducting.
Michał Biel is a Copenhagen-based musician from Poland. The pure physical presence of sound and its textural nature is the guiding theme of his exploration as a composer and baritone saxophonist. In his aesthetics, he refers to figures such as Zbigniew Karkowski and Luc Ferrari. He is active in the improvised scenes in Poland and Denmark. He is co-creator in projects like Cococlock, Bachorze, Skołowacenie and Monolith Trio.